The gorge features prominently as a place of escape and refuge for the main characters played by Stephen Boyd and Brigitte Bardot in the 1958 movie The Night Heaven Fell. The railway and sections of the Caminito were used in the final location shots of the 1965 adventure film Von Ryan's Express.
Rome2rio's Travel Guide series provide vital information for the global traveller. Filled with useful and timely travel information, the guides answer all the hard questions - such as 'How do I buy a ticket?', 'Should I book online before I travel? ', 'How much should I expect to pay?', 'Do the trains and buses have Wifi?' - to help you get the most out of your next trip.
The Movie Book El Cjorro
This and El Polverin were among the first areas to be developed in Chorro, and, as a result, can feel a bit old school. The Rockfax guidebook is decent at giving you an idea of the state of the routes.
Access for most areas is without issue and those that are now off limits are noted in the Rockfax guidebook. In particular, most of the Gorge is off limits, with only the above-mentioned Africa and Zeppelin getting much traffic.
Working as a filmmaker and directing climbing movies on a regular basis, has allowed me to see a large part of the World with a lot of potential to develop our way of living and feeling the nature to the fullest.
But for those considering a trip, hold off on booking that flight. There are no more tickets available in April or May (there is a limit of 600 people per day) and no other tickets have been released for dates down the line. However, authorities say that more tickets will eventually be available, offering the opportunity to see the once-dangerous trail in relative safety.
In March 2014 restoration works were started jointly by the regional government of Andalusia and the local government of Malaga. The Caminito del Rey is now fully renovated and safe to walk on, but your time slot to walk the length must be pre-booked on the attraction website.
Even this far into my climbing life, guidebooks provide inspiration: photographs, route descriptions, pitch lengths and descent information are all digested to be used 'for real' at some point in the future.
This guidebook, put together by the Rockfax team, certainly provides inspiration and is, I feel, much needed. The pace of development since the last guide (2008) has opened many new crags, while existing crags have been looked at again and great new lines have been added.
This guidebook is littered with great photos: action shots, crag shots and a particularly useful main crag overview (page 44) showing the location of accommodation and many of the main crags. Drones do cause quite a few problems (!) and not everyone likes them in the outdoors (me included) but they do provide high quality information.
The book seems a bit rushed to me; lots of question marks on grades and stars, as well as a few route descriptions that include the words "probably". This is not to say that the guide wasn't useful and I have big respect for the work that goes into putting these together, but maybe a lack of research in some places e.g. Makinadromo and Desplomilandia especially given the price tag.
There is nothing rushed about the guidebook, in fact we have been hassled to produce a new one for about the last 5 or 6 years and Mark has been making trips out there regularly. Anything that we would have produced before this one would have had fewer definite names and grades, and around the same number of question marks. The unknowns and the improved info increase at about the same rate. That said we have very much focussed on getting good information for the routes in the low-to-mid grades since this is what 90% of people climb. In most cases you will find the question marks are only on the hard stuff.
The double page spread at Makinodromo with a lot of unknown routes was included at a very late stage and we only got route names for those in late October, about a week before going to the printers. They are all recent developments that we thought were more useful in the book, where feedback will establish grades on UKC. It was a similar situation with the left-hand side of Desplomilandia where there was another bunch of routes that we found out about at a very late stage.
We already do much better than that in list form on UKC Logbooks - an interactive list that everyone can contribute to which is accessible via your mobile. I fully expect the routes on Makinodromo to have information added in the next few month as we get it. This was the main reason for including them in the book in their unknown state - at least now the feedback can be tied to a route so that everyone knows what is being referred to.
The much better solution that we have been working on for the last few years, and will be making major changes to in the next few, is using the digital version of the book as the master data. Previously we have produced a new book version and released an app version that mirrors it. With some of the books we have produced updates to the app versions but these tend to be minor and we have been seriously hampered by Apple's very restrictive data system which makes updating the books a right pain.
This will mark a change in they way we deal with the master data since the digital version will then become the top copy and, in many cases, start to build up a more extensive version of the data. The books will then become selective 'best of' snap-shots of the digital record at a certain point although how selective remains to be seen.
Chris is currently working on a Kalymnos update for the app version and we will be producing updates to other areas once the system starts functioning. I am currently working on Peak Limestone and this is likely to be the first primarily digital version that we publish around spring 2020. That doesn't mean there won't be a book version, but the app version will contain a lot more and will start to be a rolling updated record.
This means there will inevitably be lags between what we are able to cover properly in full app topos format, and the UKC Logbooks listings, and then again to the reality of what is on the actual crags. However the changes we are making should mean by keeping a single digital master copy that we can tweak as we go along should help disseminate the information more quickly and efficiently.
OVER THE RAINBOWAside from candid photos of actors, the book also includes playful book-themed promotional photos for films, including this one for The Wizard of Oz.PHOTO COURTESY OF THE HOLLYWOOD BOOK CLUB: READING WITH THE STARS
This was one of famed super producer Samuel Bronston's last productions. He had been responsible for a slew of big budget historical epics filmed in Spain (55 Days at Peking, El Cid, Fall of the Roman Empire). This might explain the Spanish production involvement. The movie was extravagantly filmed in 70mm format.
The movie is 112min, a shorter German theatrical version clocks at 94minutes. That shorter version was restored from a surviving 70mm print in 2016 and released on BluRay. Reportedly, the two versions are different cuts, a detailed comparison doesn't exist yet, but neither is an integral show-everything version.
At just 12 years old, Anthony Gonzalez stars as the film's protagonist, Miguel, a young boy with a dream of becoming a musician. On his journey through the bright and colorful Land of the Dead, Miguel, accompanied by his dog Dante, encounters a vast world of music he has never known. Along the way, he meets his musical idol, the late Ernesto de la Cruz, as well as many of his ancestors. Before Coco, Gonazlez appeared in a variety of dramatic short films, such as Imagination of Young and Icebox. 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